On March 21, 2014 Colors of Nature received this piece of artwork from a very talented and creative artist by the name of Tamara Philips. She requested a sample card and from it was able to make this painting.

She also had a few comments about the watercolor paints Colors of Nature offers.

Earth Colour Shell

I really enjoyed the lightness of the paints, the organic way in which they would disperse into water, and the ease in which they moved across the page. I also appreciated that I could still get a very dark colour for outlining my subject.
On a side note: The part that I struggled with the most is simply using ultramarine as the blue. There is nothing wrong with the paints, I'm just accustom to using phthalocyanine blues along with earth tones, since once mixed with earth tones, the shades are amazing! I find that ultramarine blue creates grey shades and really washes out the work when mixed with the earth tones. Perhaps it would be a matter of redefining the way I paint. I noticed the paintings in your gallery with really high contrast between the bold ultramarine, and other colours, worked the best (ie when the ultramarine was pure and bold, and not mixed with other colours).
Phthalocyanine isn't necessarily a chemical I want to keep in my practice, as I'm not sure it's the healthiest thing to have around, so I am looking for alternatives. I have also just tried some Maya blue earth pigments which gave some of that blue-green that I love so much, but I have yet to find my favourite "from the earth" blue.
So, do let me know if you have any suggestions for a "greenier" blue that doesn't go grey when mixed with the other earth colours.
Cheers! and thanks for making great paints!
- Tamara -

We encourage you to view Tamara's sites and all the other talented artists that have submitted artwork to Colors of Nature to show your support for vegan and cruelty free art supplies and see that a natural synthetic free artist paint doesn't mean compromising your standards for professional grade paints.

Recently, Colors of Nature had their paint reviewed by a popular art blogger by the name of Robyn Sinclair. Colors of Nature approached Robyn in order to receive this review but had no input other than delivering the paint to her location in Italy.

"PIENZA"

Robyn Sinclair 2014 Colors of Nature paint

on watercolor paper

Her review is as follows. To read more of what Robyn has to offer please visit her site at: Have Dog, Will Travel.

"I've just had the pleasure of reviewing an intriguing new range of watercolours.  Intriguing because they are vegan - no animal products.

The palette is quite unusual in that it's very organic ... Colors of Nature as they are labeled by the Canadian manufacturer.  There are lots of Siennas and umbers.  The brightest pigment is the Ultramarine and there is a good Chromium Green.  This is a palette that is a natural for landscapes and probably portraits as the pigments dilute down to very soft washes.  Good granulation and a beautiful range of greys is achievable.  I'm missing a clear bright red.  The Real Red is very much an Indian Red.  This palette is certainly tailor made for Tuscan landscapes and architecture.

The paints come in little pots and are very reasonably priced.  Good luck to Colors of Nature."

"PATONGA TRAWLER"

Robyn Sinclair 2014 Colors of Nature paint

on watercolor paper 

Watercolor paint: A dying medium? Not according to my Twitter feeds…

When we  first wanted to start an eco-friendly artists’ paint company, we visited a couple of local Toronto art supply stores to see if our concept made sense to retailers.  Our intention was to start with watercolor paint, then launch our oil paint and other visual art media that met our vegan and earth-friendly standards.  

We were told by one proprietor that watercolor was a dying medium.  She had us look at her shrinking display of watercolor paint tubes (behind the cashier, and next to a low-end brand).  But, as an artist myself, that just didn’t make sense.  How can any medium in the visual arts ‘die’?  Maybe in the art supply, retail storefront world it does, but not according to my Twitter feeds.  I regularly get hundreds of watercolor paint ‘tweets’ of artists all over the world tweeting their beautiful watercolor art every day.  

Through social media, we have connected with artists like J.Muir, Ashesela K, and G. Papadakis who have used our watercolors to create stunning works of art. We also know, due to popular publications like Watercolor Artist Magazine who will feature our watercolors in their February 2014 issue, that watercolors are still a highly significant medium among visual artists.

We were a little surprised at how reluctant retailers were to offer their customers anything new.  They wanted to maintain their current stock of the same familiar brands that they knew would always sell.  But, where was the spirit of competition?  What about offering customers the best, most innovative and eco-friendly products they could source?  Why would a retailer actually set out to restrict the choices they offer their loyal customers?

We travelled across the west coast, from California to British Columbia, and we heard the same message.  Although many retailers considered our watercolors to be a great idea, they didn’t want to stray from the same handful of suppliers that everyone was carrying, even when their competitors were literally across the street.

Undeterred, we continue our search to find retailers who are brave and cutting edge, and therefore willing to carry our brand.  Edgmon Art and Mudtown Art Supplies are two innovative retailers who are willing to offer their customers Colors of Nature watercolor paints along with the other great products they carry. These retailers embody the perfect fusion of enterprise, eco-consciousness and ethics that makes them willing to provide artists with cruelty-free and environmentally sound options.

The internet has also proven time and again to be our greatest ally in providing eco-conscious artists real choices for their art supplies.  We have been in the organic and natural market for close to a decade, and we know that many retailers are still slow to pick up on the growing demand for green’ products, opting instead for limited offerings that are often ‘pseudo-green’ corporate versions of the real thing.  In the meantime, we are happy to offer you, and other artists also interested in a healthier planet, free samples and great deals at Colors of Nature!

Why Choose Natural Paints

Think of the last time you used some paint to create a picture, or watched your children dip their brushes or fingers into a pot of paint.  Have you ever wondered if you should be concerned about what is in paint and how we dispose of it? We all want to use products in our daily lives that are healthy and safe, and through creative acts like painting we make physical and emotional contact with this medium in much the same way that we do with cosmetics or decorating our homes.

In the past, artists used paints that were made from natural ingredients.  Each artist had to learn how to source, grind and mix his or her own ingredients to make paint. With the dawn of the petrochemical industry in the 1930's (Smith, 2003), the knowledge and skill of creating natural paints was displaced by cheaper, petroleum-based, ready-to-use paints and that is still largely the case today.

Petrochemicals have become so pervasive in our lives, that most of the time we don’t even know what has been made with a fossil fuel derivative or by-product and what hasn’t.  We are highly dependent on petrochemicals, but their use is not without cost to the environment, our health or the future of our planet.

Historically, natural paints like watercolors and oils used to be made out of earth and mineral pigments or plant and animal substances mixed with oils, gums, resins, waxes and other natural additives. Often the mineral pigments used in the past were highly toxic, primarily from  lead which exposed the artists to high levels of toxicity.  Today, natural paints are made from ingredients that are from the plant, mineral or animal world.  They all require some degree of processing or chemistry to remove toxic elements, or to prepare the substance into a usable form.  The difference between pigments used in natural paint and those in conventional paint is like the difference between plastic and glass.  Plastic is made from fossil fuel and glass is derived from sand, a naturally occurring mineral mixture. Similarly, the rest of the ingredients that are added to natural paint are from plant or animal sources, not petroleum.

There are some drawbacks to natural paints.  Conventional paints use pigments that come from burning fossil fuels at extremely high temperatures and are engineered to provide hundreds of artificial colors.  Not all mineral pigments, such as the bright red cinnabar (vermillion), can be collected at a reasonable cost, or ‘cleaned up’ to remove toxicity (Smith, 2003). Clay earth pigments and other mineral-based pigments that are available for us to use in paint are beautiful but limited in color range.  Although it is true that conventional paints can be very economical, natural paints are sometimes only slightly more expensive and in return you still are provided with high-performing quality and rich color. Some natural art paint brands are already prepared for you, and some are in powdered form for you to prepare yourself with ingredients you may already have in your kitchen. Explore what’s available and consider switching back to natural paints like the old masters!

Smith, Ray. The New Artist's Handbook, UK Publishing, Inc.;  New York: 2003 print

Art Evolve - Colors of Nature Watercolor Review

On December 3, 2013 Ashesela K, wrote a review on Colors of Nature's watercolor paints. The review was unsolicited and derived from a free paint sample card that was sent to her a week or so earlier.

What Ashelea has written and produced with Colors of Nature's natural paints is informative and delightful. She has discovered for herself many of the points Colors of Nature has been striving to show artists since we opened.

Here is an example of some of her observations.

There is no black in the Colors of Nature paint line, but I don't mind that at all.  A great tip I read from many art masters, is to not use black paint, but to make a 'black' from a mixture of other colours.  It really makes the darks in the paintings more realistic and in more harmony with the rest of the picture, since there is very little pure black in nature.  Adding a pure black to your painting can make the black areas look too out of place with the rest of it.  Also, shadows are generally not black, but darkened combinations of colours.

Here is an example of the artwork she created with our sample card.

Ashesela K., Dec 3 2013

If you are interested in reading more of Ashesela's review please visit her at:

http://www.artevolve.blogspot.ca/2013/12/colors-of-nature-watercolor-review.html

If you are interested in receiving a free sample card of our paints we would be delighted to send you one.  Please go to our website and use the contact form to submit a request.


Request a sample.

"Reawakening" with Colors of Nature

Readers have asked why are there so few colors in our palette and retailers say their customers need more colors, more choices, but our contributing artists like G. Papadakis and J. Muir demonstrate that 13 natural colors in the hands of a talented artist are more than sufficient to produce a beautiful peace of artwork.

If you are such an artist let us know. We would like to speak with you. Contact us at sales@colorsofnature.com.

"Reawakening" G. Papadakis 10" x 8"

Colors of Nature is Now Zero Carbon Emissions

Colors of Nature, always striving to set new standards for itself, has achieved a new milestone.

Research has shown that consumers like yourself care about the environment and want to support companies that have a strong record of respecting the environment. To that end, Colors of Nature has created an all natural earth-friendly paint that is petroleum and solvent free, it has no animal products in its paint nor was it tested on animals, and it uses recycled and reusable packaging in order to lessen the burden on our waste management systems.  Not stopping there, Colors of Nature has gone one step further but offsetting its carbon emissions.

Colors of Nature, as of December 2013, is now emissions free at its office and manufacturing facilities.

bullfrog power 100% green electrify and gas

Colors of Nature has entered into an agreement with Bullfrog Power as of December 2013. This agreement means that 100% of both its electricity and natural gas requirements are now met with green electricity and green natural gas from Bullfrog Power. This power is generated from various solar and wind farms around Canada and methane gas is captured from one of Canada’s thousands of landfills.

To learn more about what Bullfrog Power is doing for the environment please visit their website at: www.bullfrogpower.com